Journey to the Shore / Kishibe no Tabi / 岸辺の旅
Kiyoshi Kurosawa’s Journey to the Shore starts off with an interesting premise. Mizuki (Eri Fukatsu), three-years widowed and still grieving, gets an unexpected visit from her dead husband, Yusuke (Tadanobu Asano). He promises to take her on a journey to the “beautiful places” he’s been on the long road back from where he died to her. The idea of not only the living reconciling with loss, but the dead themselves as active participants in reconciling with the afterlife is rife with possibility. Too bad Kurosawa sinks the whole thing in maudlin sentimentality, Ozu-esque two-shots that evoke parody, a maudlin and overbearing soundtrack and a general lack of urgency and direction in this overlong exercise in pop mysticism. Fukatsu, a genuinely fine actress, gets little to work with here and Asano’s perpetual blank slate helps him drift through, but Kurosawa’s muddled direction of a meandering and pandering script make this slog a challenge to get through. And these “beautiful places” that Yusuke takes his wife to may only be beautiful in the eyes of the director.
Originally published in EL Magazine, October 2015.